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by Gean Moreno - 11 May, 2007
Whatever Happened to the Miami Art
Scene?
by Gean Moreno
The question seems to always be in the air these
days, dangling there like the proverbial pink elephant in the middle
of the room, waiting for an answer. It is always accompanied by
the implication that the presence of Art Basel Miami Beach and
the innumerable event that surround it have changed things in a
fundamental way. Some --cautiously-- avoid the question as if nothing
has really change in the last few years, contently reaping the
benefits of these changes. Some can't praise the changes enough,
triumphantly reminding us that we are now on the international
map, permanently penned into the itineraries of jest-setting collectors
and mile-a-minute curators. Others, perhaps feeling deprived of
these benefits, do little but ask the question rhetorically, constantly
reminding us in scathing tones that we are a one-month art scene
(December) and the rest of the year we go into hibernation or decamp
on the beach. Then, there are those who look at things through
the tinted lenses of nostalgia. They remember a time when artists
started alternative venues, writers were an integral part of the
scene, gallerists wield much less power, but did so with more aplomb,
solidarity had yet to be replaced by a general eagerness to give
the market what it demanded.
Culture is a field of contending views and positions.
The purpose of this panel, then, is not only to ask some tough
questions about what has changed in out local scene, but also to
perhaps get a better grasp on the complex character of the situation
we live. Beneath the dominant personalities that organize our scene,
incessantly quoted in the press (local and international), as if
they were channeling the gospel, there have to be other position,
other ways of organizing things, peripheral position that can perhaps
be appreciated now that in jockeying for a position in the market
the top-most layers of this scene seem to have, like actors now
just going through the motions and cashing the checks, depleted
themselves.
“Whatever Happened to the Miami Art Scene?” 11
May, 2007 at Fredric Snitzer
Gallery panel included (l to r): Alfredo Triff (art critic
and educator), Eugenia Vargas (artist), Brook Dorsch (gallery owner),
René Morales (associate curator MAM), and moderated by Gean
Moreno (artist and writer).
Panel Discussion Podcast Click here to Listen Now!

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