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by Dan McKean - 18 May, 2007
Rituals of Consumerism
by Dan McKean
BRIAN ULRICH: COPIA
MCASD
LA JOLLA California
DECEMBER 16, 2006 THROUGH JUNE 24, 2007
Chicago-based artist Brian Ulrich documents the shopping habits
of Americans in his incisive photographic series Copia. The photographs
in this ongoing project are taken in big-box retail stores such
as Target or Wal-Mart using a medium-format film camera with a
waist-level viewfinder.
In Ulrich's first solo exhibition at MCASD he presents 14 large-scale
prints of the series. While many of the works capture the efficient
artificiality of our shopping environments, others evidence the
effects of consumerism on those who participate in its rituals
of consumption. Ulrich sees the series as an exercise in social
anthropology that documents common conditioned behavior and examines
its political implications. Yet, the images are also revealing
for the sense of familiarity and empathy they elicit in each of
us, bringing attention to our role in generating and maintaining
a culture of over-consumption and waste.

Brian Ulrich
Kenosha, WI (Spilled Milk), 2003,
lightjet c-print,
40 x 52 in.,
Courtesy
of the artist.
Humph. A picture of spilled milk
on a 7-11 floor in Kenosha, Wisconsin just isn't interesting, not
even when juxtaposed excitingly with colorful pallets of soft drinks.
Neither are pictures of checkout lanes at Target, or teenaged girls
in Scotland looking at makeup choices (despite the "American" in
the description, several of the pictures were taken in Edinburgh),
or someone checking out the milk containers in the dairy section--though
it did bring flashbacks to the Dude in The Big Lebowski.
So I thought--what could I do to
put on a counter show that explored the same topics, but in opposition?
And it dawned on me--I'd put together a show that explored the
consumerist world of art. People at pretentious gallery openings,
delicately pinching their canapes. Stuffy suited patrons leaning
and considering some objet d'art and
discreetly glancing at the price tags and the tiny colored "SOLD" dots.
A broken piece of art on the floor (it feel off its pedestal!),
juxtaposed excitingly with extravagant colorful canvasses. Bland
boring art adorning the lobby of a spectacular corporate building.
Black turtlenecked artists with pretty colorful necklaces aloofly
surveying their customers. I could even call the show the same--"Rituals
of Consumerism".
But contentiousness aside, I did
think: why are artists so obsessed with critiquing consumerism?
Do they not consume themselves? Why aren't they violently burning
down the museum shops, filled with silly expensive consumerist
doodads? A $150 trash can? Please.
There was no desire in these pictures we saw, and there was even
loathing that people have so much choice--so many lanes to choose
from to check out at Target! So many soft drink varieties to try!
So many lipstick colors! Yet when it comes right down to it, which
is worse consumer choice--buying a 24 pack of soda for $10 (seven
different flavors on sale this week!), or buying that $150 trash
can (one choice from our Museum Collection(tm))? Yeah, most Americans
(and Scots) know that we buy stuff, sometimes to excess. So what?
We don't feel guilty for having choices.
That was the only thing open in the museum too--14 pictures. They
were doing some radical reinstallation work, so every other gallery
was closed. And it was free Tuesday at the museum, too, so we felt
like we totally were art scammers. Or perhaps consumers that got
something for nothing. Always a good deal.
Dan says, "I like gardening and hiking and
traveling, and rugby, but I don't play much anymore. I currently
live on a little block of land about 20 miles east of Seattle
with two cats and one very special bear.
I also like political issues, and from time to time may rant--I
can express some opinions pretty strongly. That doesn't mean
that I won't respect yours."
"I'm pretty naïve when it
comes to art, truth be told, and am somewhat disinterested in how
artists produce stuff. But I am interested quite a bit in how art
gets packaged and used and marketed: the 'distribution' of art, as
it were... and of course, various subversions of that post-artist
process." :-)
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