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by Onajídé Shabaka
Can Miami Art Exchange Imagine?
by Onajídé Shabaka
Having taken position of editor of Miami Art
Exchange some years ago (2002), I imagined this journal large
enough to accommodate the ideas and images of all those who participate
in the making of contemporary art. Students of art history are
often warned about the writings and statements
of artists. The creators of art, students are often told, make
the worst critics -- the least responsible judges of their contemporaries,
the most subjective interpreters of their time. Yet I believe
that reflections of artists on their own work, or that of others,
enhance our understanding. Not everyone who has contributed to
this site has been an artist, nor art historian. There have been
a number of people that just plain love art and want to share
and talk about it in their own words.
I want to continue to offer those various people,
and you, the opportunity to continue to write, submit and, create
projects for Miami
Art Exchange. I
want to let artists' words flow in and out of the pages. I want
to leave each person free to choose his/her own topic, and to
use her/his own preferred approach: sociological, political,
historical, poetic, personal. The work may be written, visual,
or both.
Of the qualities valued, it is possible to enumerate
a few: a spirit of experimentation that values questions more
than answers; a willingness to risk a nonformulaic language;
and the courage to convey urgent, even disturbing messages. In
the world of which we artists live, many languages are spoken.
We must listen to the proliferation of exciting, even contradictory
signals all around us. Imagination and reality can meet as we
break thru boundaries to enter new territories. It is at these
crossroads, these checkpoints, that the ultimate is still conceivable.
Now, if I go back to my original statement that
I imagine this journal large enough to accommodate the ideas
and images of all those who participate in the making of contemporary
art, one can gain a better perception about the nature of this
publication, this philosophy has remained consistent since my
tenure beginning in February, 2002. It remains so.
Please feel free to make further contact regarding
publication of your work.
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