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by Onajídé Shabaka - 21 Dec., 2006
In Close Proximity - Rubell Family
Collection
by Onajídé Shabaka
Casa Lin, around the corner from the Rubell Family
Collection, again had their "art yard" on display. Unfortunately,
my arrival did not coinside with any of the artists involved although,
Robert Chambers did warn me of his motorcycle
and its precarious position hanging at the end of a rope. Sometimes
the childhood silliness that gets injected into his work brings
a needed smile of irony to the sometimes overly serious world of
art, especially Art Basel Miami Beach.

Casa Lin - "art yard"
What is going on at the Rubell
Family Collection?
I heard and read more complaints about the current exhibition than
any other during the entire art fair. Red
Eye: L.A. Artists from the Rubell Family Collection features
the work of Mike Kelley,
Barbara Kruger,
Paul McCarthy, Doug Aitken,
John Baldessari, Catherine Opie,
Laura Owens,
Raymond Pettibon,
Charles Ray,
Jason Rhoades,
Jim Shaw,
Henry Taylor, and a large cast of additional artists. (Unfortunately, I didn't
get a complete listing of the artists whose works are shown here but, they will
be provided and properly attributed.)

large scale drawings


"Timeless" (2005)
Nathan Mabry

above and below: cast metal (Chicano
artist)



Oh Henry
Henry Taylor


Mark Bradford at Rubell Family
Collection

Black Wall
Street, 2006
collage on paper, mounted on canvas
114 x 240 in.
Mark Bradford at World Class Boxing
A few blocks from the Rubell Family Collection
is the exhibition space of Dennis and Debra Scholl, World Class
Boxing. It has only been this year that the space has been open
more regularly, which is something many would like to see more
often. The featured artist, Mark Bradford, also had work at the
Rubell Family Collection, hence the close proximity.
Thelma Golden: "I want to talk specifically
about the two paintings, Scorched Earth (20O6) and Black Wall
Street (2006), and the two untitled works on paper (2006)
that will be included in the exhibition. Tell me about
how these two new paintings came to be. I am also very interested
in what you were looking at and thinking about when you made this
body of work."
Mark Bradford: "Scorched Earth and Black Wall
Street refer to a real moment in American history. In 1948
in Tulsa, Oklahoma, there was a race riot. They used to call
Tulsa "Black Wall Street," because there were. so many
black professional businesses that were doing really well there.
So there was a race riot, and some people believed that it was instigated
by the Ku Klux Klan. And what happened was that this was the first
time in American history [aside from the Civil War] that the
American military actually dropped bombs on American citizens.
And it just basically decimated Black Wall Street in Tulsa.
Three or four thousand people were killed, and the event is still
very undocumented. So I took that moment in history because we're
talking so much about war now, but it's always about war over there."
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