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-scope Miami 2006 Print E-mail

    by Onajídé Shabaka - 17 Dec., 2006

 

   -scope Miami 2006

    by Onajídé Shabaka

-scope entrance

After the pre-opening dullness of the entrance, lights, action and, 10,000 people arrived and partied the opening night of -scope Miami. GenArt was having an event with live music so there was more to do that just drink wine and seek out some art. Of course, I was there to meet people, specific people, and that went well. I ended up going to -scope twice (daytime images) because I have a second meeting there with Vernissage TV.

-scope silouettes

-scope

(LAMANO)

-scope

-scope - Galerie Heliumcowboy Artspace, Hamburg, Germany

(Alex Diamond at Galerie Heliumcowboy Artspace, Hamburg, Germany)

Fotos von unserem Messeaufenthalt in Miami von der scope art fair sind jetzt online auf heliumcowboy.com
Photos from our presentation and visit at Miami's scope art fair are online at heliumcowboy.com

Weitere persönliche Eindrücke gibt es in den Alex Diamond Miami Diaries bei alexdiamond.com
More personal impressions [of -scope and Miami] can be found in Alex Diamond's Miami Diaries at alexdiamond.com

-scope - Vernissage TV

(Vernissage TV, spontaneous drawing wall!)

Vernissage TV has great video interviews from the fair. Things like this can be done when one has a team. These are only a few of their offerings.

Interview with Jason Rubell / Rubell Family Collection

Interview with Caryn Coleman / art.blogging.la and Sixspace Gallery

Design Miami 2006 / Vernissage

Art Basel Miami Beach 2006 / Vernissage

-scope - Duane & Pip Brant art intervention

(Pip & Duane Brant art intervention!)

-scope - Saltworks Gallery, Atlanta, GA

(friend's at Saltworks Gallery, Atlanta GA.)

-scope - Alfredo Martinez at The Proposition, NYC

("drawings from prison"
Alfredo Martinez at The Proposition, NYC)

Alfredo Martinez's work has the kind of untutored quality one finds fascinating in drawing but, his story has some issues that one has to think twice about. He didn't get into prison then, get discovered. He went to prison because he was discovered; discovered to be a forger of art works.

From the press release: Alfredo Martinez convinced an art collector to purchase two drawings by Jean-Michel Basquiat (which belonged to Tom Warren) in the late winter of 2001 for a bargain price. The work in question appeared that December in an exhibition Martinez co-curated with me entitled, Welcome to the Playground of the Fearless. Martinez took charge of returning the pieces to Warren, but before doing so, made his own versions. After returning the drawings, he mentioned that there was interest in the work from collectors who saw the show. He said he wanted to make copies of the certificates of authenticity before shopping the work around. Warren handed over the certificates, which Martinez went on to forge as well, he then returned falsified certificates and sold fake paintings – with real certificates – to the collector. The collector was tipped off that the paintings were fake by a Chelsea dealer and subsequently notified the F.B.I.. Claiming to be collectors the F.B.I. led Martinez to make more Basquiat drawings and certificates in an elaborate sting operation. His later forgeries were apparently sloppy compared to the first ones, as a result of his carelessness & and a possible desire to get caught (not to mention the encouragement from the F.B.I. for him to make more), he was apprehended by the F.B.I. on June 19, 2002. Forgery is difficult to prove however, so during the sting, the undercover F.B.I. agent posing as a collector named Bob Clay, asked Alfredo to Fed Ex and email a photo of the works in question across state lines. Federal prosecutors found him guilty on four counts of mail fraud and one count of wire fraud which lead to a mandatory sentencing of at least three years in jail. He currently resides at the Metropolitan Detention Center in Brooklyn, three blocks away from where Martinez grew up.

Alfredo Martinez’ art career began in 1993 at Pat Hearn Gallery, the show was a happening called Skater Angels produced by David Greenberg and Diego Cortez. Afterwards he went on to participate in the seminal Bong Show at Alleged Gallery where artists such as Tom Sachs and Dirk Westphal made elaborate bongs as sculpture. His heights of legitimacy came first when he exhibited in group shows at the P.S. 1 Museum, a MoMa Affiliate (Agent Artist, Generation Z), that same year he had his first career solo show at the Donahue Sosinski gallery in SoHo (this exhibition marks his second solo exhibit with the gallery). In the summer of 2000 Roberta Smith reviewed an exhibition he curated Na’er Do Wells for The New York Times. That same year, a dot-com millionaire by the name of Joshua Harris (in collaboration with Leo Koenig) financed an indoor automatic weapon firing range designed by Martinez for a millennial project entitled Quiet. Martinez is a weapons expert, most recently he spent several years working with Rick Washburn at Weapons Specialists Limited. These were noteworthy achievements for someone who never graduated high school. In a field where academic legitimacy is highly revered, Martinez managed to do remarkably well with only an eleventh grade education. In this regard, he is a true folk artist, an elitist term synonymous with “outsider”, a derelict.

During his time in federal prison, he continues to make art. This is significant because despite all of his escapades, his primary interest is still in making a career for himself as an artist. Were his actions just a desperate attempt to earn a quick buck? A decisive critique on the sometimes absurd values we place on art objects? Or is he in jail on purpose?

-scope - Spinello Gallery - Susan Chun

(Susan Chun at Spinello Gallery)

-scope - Richard Stipl at Christopher Cutts Gallery

(Richard Stipl at Christopher Cutts Gallery)

-scope - Yazid

(Yazid Oulab at Galerie Eric Dupont
approx. 42 in. )

-scope - Mica Marder at Marder Gallery

Mica Marder
Fish, 2006 & Fish, 2006
mixed media on paper
40 x 60 in.
Marder Gallery

More drawing on paper (above Mica Marder), a surface one has to love. These too have an untutored quality about them but, they are very well executed and done by a great colorist.

-scope it was well worth it with lots of space to walk and view art. The energy was good and people were finding the art they could live with. Of course, I cannot close this page without mentioning the iCAS pedicabs that were whisking people from venue-to-venue. They plan on doing the same during the Wynwood openings throughout the new year. Support them!

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