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by Onajídé Shabaka - 17 Dec., 2006
-scope Miami 2006
by Onajídé Shabaka

After the pre-opening dullness of the entrance,
lights, action and, 10,000 people arrived and partied the opening
night of -scope Miami. GenArt was having an event with live music
so there was more to do that just drink wine and seek out some
art. Of course, I was there to meet people, specific people, and
that went well. I ended up going to -scope twice (daytime images)
because I have a second meeting there with Vernissage TV.


(LAMANO)


(Alex Diamond at Galerie Heliumcowboy
Artspace, Hamburg, Germany)
Fotos von unserem Messeaufenthalt in Miami von der scope art fair
sind jetzt online auf heliumcowboy.com
Photos from our presentation and visit at Miami's scope art fair
are online at heliumcowboy.com
Weitere persönliche Eindrücke
gibt es in den Alex Diamond Miami Diaries bei alexdiamond.com
More personal impressions [of -scope and Miami] can be found in Alex
Diamond's Miami Diaries at alexdiamond.com

(Vernissage
TV, spontaneous drawing
wall!)
Vernissage TV has great video interviews from the
fair. Things like this can be done when one has a team. These are
only a few of their offerings.
Interview
with Jason Rubell / Rubell Family Collection
Interview
with Caryn Coleman / art.blogging.la and Sixspace Gallery
Design
Miami 2006 / Vernissage
Art
Basel Miami Beach 2006 / Vernissage

(Pip & Duane Brant art intervention!)

(friend's at Saltworks Gallery,
Atlanta GA.)

("drawings
from prison"
Alfredo
Martinez at The Proposition, NYC)
Alfredo Martinez's work has the kind of untutored
quality one finds fascinating in drawing but, his story has some
issues that one has to think twice about. He didn't get into prison
then, get discovered. He went to prison because he was discovered;
discovered to be a forger of art works.
From the press release: Alfredo Martinez convinced
an art collector to purchase two drawings by Jean-Michel Basquiat
(which belonged to Tom Warren) in the late winter of 2001 for a
bargain price. The work in question appeared that December in an
exhibition Martinez co-curated with me entitled, Welcome to
the Playground of the Fearless. Martinez took charge of
returning the pieces to Warren, but before doing so, made his
own versions. After returning the drawings, he mentioned that
there was interest in the work from collectors who saw the
show. He said he wanted to make copies of the certificates
of authenticity before shopping the work around. Warren handed
over the certificates, which Martinez went on to forge as well,
he then returned falsified certificates and sold fake paintings – with real certificates – to
the collector. The collector was tipped off that the paintings
were fake by a Chelsea dealer and subsequently notified the F.B.I..
Claiming to be collectors the F.B.I. led Martinez to make more
Basquiat drawings and certificates in an elaborate sting operation.
His later forgeries were apparently sloppy compared to the first
ones, as a result of his carelessness & and a possible desire
to get caught (not to mention the encouragement from the F.B.I.
for him to make more), he was apprehended by the F.B.I. on June
19, 2002. Forgery is difficult to prove however, so during the
sting, the undercover F.B.I. agent posing as a collector named
Bob Clay, asked Alfredo to Fed Ex and email a photo of the works
in question across state lines. Federal prosecutors found him
guilty on four counts of mail fraud and one count of wire fraud
which lead to a mandatory sentencing of at least three years
in jail. He currently resides at the Metropolitan Detention Center
in Brooklyn, three blocks away from where Martinez grew up.
Alfredo Martinez’ art career began in 1993 at Pat Hearn
Gallery, the show was a happening called Skater Angels produced by David Greenberg and
Diego Cortez. Afterwards he went on to participate in the seminal Bong Show at
Alleged Gallery where artists such as Tom Sachs and Dirk Westphal made elaborate
bongs as sculpture. His heights of legitimacy came first when he exhibited in
group shows at the P.S. 1 Museum, a MoMa Affiliate (Agent Artist, Generation
Z), that same year he had his first career solo show at the Donahue Sosinski
gallery in SoHo (this exhibition marks his second solo exhibit with the gallery).
In the summer of 2000 Roberta Smith reviewed an exhibition he curated Na’er
Do Wells for The New York Times. That same year, a dot-com millionaire by
the name of Joshua Harris (in collaboration with Leo Koenig) financed an indoor
automatic weapon firing range designed by Martinez for a millennial project entitled Quiet.
Martinez is a weapons expert, most recently he spent several
years working with Rick Washburn at Weapons Specialists Limited.
These were noteworthy achievements for someone who never graduated
high school. In a field where academic legitimacy is highly revered,
Martinez managed to do remarkably well with only an eleventh
grade education. In this regard, he is a true folk artist, an
elitist term synonymous with “outsider”, a derelict.
During his time in federal prison, he continues to make art. This is significant
because despite all of his escapades, his primary interest is still in making
a career for himself as an artist. Were his actions just a desperate attempt
to earn a quick buck? A decisive critique on the sometimes absurd values we place
on art objects? Or is he in jail on purpose?

(Susan Chun at Spinello Gallery)

(Richard Stipl at Christopher
Cutts Gallery)

(Yazid Oulab at Galerie Eric Dupont
approx. 42 in.
)

Mica
Marder
Fish, 2006 & Fish, 2006
mixed media on paper
40 x 60 in.
Marder Gallery
More drawing on paper (above Mica Marder), a surface
one has to love. These too have an untutored quality about them
but, they are very well executed and done by a great colorist.
-scope it was
well worth it with lots of space to walk and view art. The energy
was good and people were finding the art they could live with.
Of course, I cannot close this page without mentioning the iCAS
pedicabs that were whisking people from venue-to-venue. They plan
on doing the same during the Wynwood openings throughout the new
year. Support them!
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